homework Stacy B 34

homework Stacy B 34

STUDENTS NAME INSTRUCTORS NAME COURSE NAME DATE INTRODUCTION:- The two of my favorite songs which I presented at the beginning of the semester were: 1- Mr. Copone-E’s – “I did you wrong” & 2- Snoop Lion’s – “Tired of runnin”.
The two songs enlisted above are newly released songs and are still my favorites, but after the class I felt the music to be more touching & expressive. When I heard the former song for the first time, the lyrics had a great impact on me, but after the class the feel was something which attracted my attention where the person is apologizing to the girl he loved (E. Copone – E, 2011). The later song as well had a different touch of texture & melody which I came to realize after the class as it’s an experience of a criminal whose was a gangster & was chases by patrolling cars. He was tired of running because he knew that he was no longer a gangster (Snoop Lion’s, 2006). I can definitely say that my musical tastes have changed as I observed a huge difference in my opinions regarding the music & lyrics of the song. The rhythm sounded more profound & appealing as it connected me more when I heard those songs after the class. These changes are always inspiring as they always give a new flavor to the song which enhances its beauty. I found the rhythm, melody texture of voice, feel/mood of the singer to be more realistic after the class. I felt a different touch of pain in both the songs but in 2 different situations, which showed 2 same type of emotions in different situations. So, I would like to say that I felt those two songs very different from what I had heard earlier. CHARACTERISTICS/FEATURES OF ABOVE TWO POEMS:- RHYTHM:- Amid the early medieval period there was no strategy to record rhythm, and in this manner the rhythmical practice of this early music is liable to warmed verbal confrontation among scholars. The first kind of written rhythmic system composed during the 13th century & was based on a series of modes. This rhythmic plan was codified by the music theorist Johannes de Garlandia, writer of the De Mensurabili Musica (c.1250), the treatise which defined & most completely elucidated these rhythmic modes. In his treatise Johannes de Garlandia explains six species of mode, or six different ways in which longs & breves can be arranged. Each mode establishes a rhythmic pattern in beats within a common unit of three tempora that is repeated over again & again. Moreover, notation without text is based on chains of ligatures. In medieval music, the rhythmic modes were set patterns of long & short durations. The value of each note is not estimated by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a “ligature”, & by the position of the ligature relative to other ligatures. Modal notation was developed by the composers of the Notre Dame School from 1170 to 1250, replacing the even & unmeasured rhythm of early polyphony and plainchant with patterns based on the metric feet of classical poetry, and was the first step towards the development of modern monaural notation. The rhythmic modes of Notre Dame Polyphony were the first coherent system of rhythmic notation developed in Western music since antiquity.
In Classical music, there is an adaptability of beat. An established sythesis has an abundance of musical examples. The traditional style additionally incorporates sudden stops, syncopations, and continuous progressions from long notes to shorter ones. Also the change starting with one example of note lengths then onto the next may be either sudden or progressive.
Solidarity of state of mind in florid is initially passed on by the coherence of mood. A cadenced example heard toward the start of the piece is repeated ordinarily all through the piece. This persistent drive forced the music to push forward. This forward movement is barely ever intruded. The beats are additionally much more unique in rococo music.
Sentimental music created throughout the span of a hundred years. Amid this time, a lot of people new structures rose: the craftsmanship tune – “lied” which joined Romantic verse with voice and piano; adapted piano music, for example, the waltz, mazurka, polonaise, and exercise. There were frequent changes in both tempo and time signatures.
MELODY:- Classical melodies are among the most tuneful and easy to remember. The themes of even highly sophisticated compositions may have a folk or popular flavor. Occasionally, composer simply borrowed popular tunes, but more often, they wrote original themes with a popular character. Classical melodies often sound balanced & symmetrical because they are frequently made up of two phrases of the same length. The second phrase, in such melodies, may begin like the first, but it will end more conclusively and it will be easier to sing. Every melodic line has incredible cadenced freedom and moves more with a tender stream than a forcefully characterized beat. Contribute designs Renaissance songs are not difficult to sing in light of the fact that the tune normally moves along a scale with few expansive jumps. Baroque music creates a feeling of continuity. An opening melody will be heard over & over again in the course of the piece. Even if the character of the piece is constant, the passage is varied. Many baroque melodies are complex and elaborate. They are not easy to sing or play. Baroque melodies give & impression of dynamic expansion rather than balance & symmetry. It gives a whole feeling of a jumble yet a theme is distinctly heard. During the 1900s, new changes to melody occurred in the areas of style, scale bases, & the role of melody. Style Melody in music has generally stays traditional throughout the Modern era, but there have been exceptions as some extreme forms of melody have occurred. Scale Bases New melodic and harmonic styles appear during this era, as a result of the use of unconventional scales. Composers have borrowed scales from old church modes & have used them in a neomodal setting. The Role of Melody Up until the twentieth century melody was the most important element in any work of music. Now, the role of melody has profoundly changed. It is still important in music with contrapuntal texture, but its importance is greatly diminished in music having great emphasis on harmony & rhythm, & virtually nonexistent in some forms of electronic music with no tonal sound.
TEXTURE:- Classical music is basically homophonic. However, texture is treated as flexibly as rhythm. Pieces shift smoothly or suddenly from one texture to another. A work may begin homophonically with a melody & simple accompaniment but then change to a more complex polyphonic texture that features two simultaneous melodies or melodic fragments imitated among the various instruments. Renaissance music is for the most part polyphonic, and impersonation among the voices is normal, with each one voice showing the same melodic thought. Homophonic surface was utilized within light music, for example, moves; however the composition may fluctuate inside a piece to upgrade the importance of the content. Renaissance music sounds fuller than medieval music with the bass register being utilized shockingly. With the new stress on the bass line came wealthier agreement the period of the “rebirth”, the music sounds mild and relaxed, due to the fact that stable, consonant chords are favored and triads occur often. Moreover, Renaissance choral music did not need instrumental accompaniment and was thus also known as the “golden age” of a Capella choral music. Late baroque music are often and predominantly polyphonic in texture: two more melodic lines compete for the listener’s attention. Usually the soprano and the bass line is more important & imitation between various lines is very common. A melodic line that occurs in one voice will occur in other voices as well. However, this was not strict during Bach’s & Handel’s time short snatches of homophonic pieces may also occur. Contrapuntal textures in music dominate the Modern era. While, homophonic textures are shows it is to a lesser degree & with less importance. Texture is especially evident in neo-Classicism, where contrapuntal forms from the Baroque, such as the cannon and fugue, are used.
REFERENCES:- Burgess, Omar (2013-04-24). “Snoop Lion – Tired of runnin”. HipHop DX. Retrieved 2013-09-1

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