critical writing of goodnight desdemona, good morning joliet

critical writing of goodnight desdemona, good morning joliet

criticizing the story according to one of these theories
CHARLES BAUDELAIRE AND MATTHEW ARNOLD

 

KARL MARX
from The Painter of Modern Life (680-690) & from The Function
of Criticism at the Present Time (695-714)

from Capital (663-674)

THEODORE ADORNO AND MAX HORKHEIMER AND WALTER BENJAMIN

MIKHAIL BAKHTIN
“The Culture Industry: Enlightenment as Mass Deception (1110-1127) & “The Work of Art in the Age of Mechanical Reproduction” (1051-1061)

“Discourse in the Novel” (1076-1061)

WILLIAM K WIMSATT & CLAUDE LEVI STRAUSS

“The Intentional Fallacy” (1232-1246) & “Tristes Tropiques: Chapter 28, A Writing Lesson” (1277-1286)

LOUIS ALTHUSSER AND J.L. AUSTEN

SIGMUND FREUD
From “Ideology and the Ideological State Apparatuses” (1335-1360) AND “Performative Utterances” (1289-1301)

From “The Interpretation of Dreams” (814-824) and FROM “The Uncanny” (824-841)

JAQUES LACAN

MARY WOLSTONECRAFT
“The Mirror Stage as Formative of the Function of I …” and “The Agency of the Letter in the Unconscious” (1163-1178)

FROM “A Vindication of the Rights of Women” (496-504)
VIRGINIA WOOLF
AND JOAN RIVIERE

SIMONE DE BEAUVOIR

From “A Room of One’s Own” (896-905) AND “Womanliness as Masquerade” (BLACKBOARD)

From “The Second Sex: Myth and Reality” (1265-1273)
only one theory for one of these theoriest

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